It is 30 years since the publication of Edward Said’s book “Orientalism”. It revolutionised academic studies and attitudes. Have his arguments stood the test of time? How do they relate to the present? His underlying ideas are at the heart of discussion today about inter-cultural dialogue, the rationale of the Anna Lindh Foundation.
In London, and later this year in Istanbul, Orientalism is explored through an exhibition of British and French painters from the nineteenth century. The “Lure of the East” is on show at Tate Britain until 31 August. It then transfers to Istanbul’s Pera Musuem which is currently showing paintings from the Ottoman era. The exhibition allows an exploration of Orientalism now and then. In a linked symposium at the Tate these ideas were explored from an art historical context (showing how portraits were commissioned from British painters by Turkish rulers and used in political struggles with Egyptian rulers), from a gender basis (differing interpretations of the harem) and from a positive curiosity and willingness to engage with and observe another society. A feature of the exhibition is the commentary next to each painting by a commentator from outside the arts world. Robert Fisk admires an Edward Lear painting of Beruit, updates its location but sadly points out that even in the 1860s there was internal conflict.
As the debate came up-to-date current issues dominated the intepretation of Orientialism. Contemporary images showed that the visual image has the power and is used to convey strong messages.
The Guardian has marked the 30th anniversary of Said’s book with a series of wide ranging and thought provoking commentaries. The Anna Lindh Foundation’s core purpose is to further intercultural understanding and these essays give us pause for reflection.
